She even lets blast with it when they fail to respond to her threats.ĭavis is in fine form here, attacking the role with an amazing relish. And Charlotte is beyond stubborn, as we’ll soon discover.Ī team of workmen begin some initial demolition work, getting as far as bulldozing down a gazebo before Charlotte brandishes a shotgun at the men. We’re told that ‘she could live anywhere in the world like a Queen’ but she dreads the idea of being forced out. She has stayed closeted in the same mansion in the fields of Louisiana but is now being forced to move, her home to be demolished to make way for a bridge and new roads. The gathering collectively suspects she is the killer, but she is never convicted of the crime.įlash-forward almost forty years to 1964 and the events of that grisly evening have continued to haunt Charlotte ever since. The killer’s identity isn’t revealed but the next time we see Charlotte, her white ballgown is covered in a big splodge of blood. On the night of the ball, Mayhew jilts Charlotte and then, in a moment of Hitchcockian horror, someone takes a cleaver to his hand and then his head. Her dictatorial father has discovered a plan between the pair to elope to Baton Rouge after an upcoming grand ball – he vows to put an end that idea.
#Hush hush sweet charlotte movie#
Miss Charlotte, when this movie begins, is a young debutante in love with an older, married man John Mayhew (Bruce Dern). There are some amusing details about this in Kat Ellinger’s audio commentary. The Joan being Joan Crawford.ĭirector Robert Aldrich had originally wanted Davis’s fellow Baby Jane star Crawford in the Miriam role but that legendary feud meant that despite having signed on the dotted line, Crawford later bowed out, citing illness as an excuse so that she couldn’t be sued for reneging on her contract. The Bette in that title, of course, being Bette Davis.
#Hush hush sweet charlotte series#
Here Bette Davis plays Charlotte Hollis, while the role of her cousin Miriam is taken on by Olivia de Havilland, who has been in the news recently after the failure of her lawsuit against the producers of American TV series Feud: Bette and Joan, in which she claimed she’d been unfairly portrayed. Jamie Havlin examines the classic American psychological thriller originally conceived as an unofficial follow-up to What Ever Happened to Baby Jane?
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